Installed on the central lawn, Pyrodrake quickly became a visual landmark of the festival. The sculpture extends Wushuang’s painterly language into a dynamic three-dimensional form, translating her gestural marks, saturated colors, and rhythmic abstractions into an immersive spatial presence. Its creature-like morphology, simultaneously playful and otherworldly, invites viewers to circulate around it, photograph it, and encounter it from shifting perspectives. Within the context of a community market and a historically rich industrial site, Pyrodrake bridges contemporary artistic imagination with collective public experience—bringing color, movement, and a sense of wonder to the evolving cultural landscape of the district.

The setting of Mengxiang Planet 107 Cultural Park adds a further dimension to the installation. Situated among preserved textile and storage warehouses from the 1970s–80s, the park maintains visible traces of its industrial past while developing into a multifunctional cultural hub. Its red-brick architecture, expansive warehouse volumes, and layered urban memory create an environment where history and innovation coexist. In this context, Pyrodrake participates in the site’s ongoing transformation, contributing to a renewed vision of community, creativity, and cultural regeneration.